Season 1

01 Sydney Pollack Episode 17th July 2008 Sydney Pollack considers how movies can combine historical perspective and character drama in this out-take from TCM's Elvis Mitchell: Under the Influence. 02 Bill Murray Episode 214th July 2008 Actor Bill Murray on working with other actors when you're not on camera, and speculating about Cary Grant, from TCM's Elvis Mitchell: Under the Influence 03 Laurence Fishburne Episode 321st July 2008 In each half-hour episode of this series, Mitchell invites special celebrity guests to sit down and talk about how classic film has influenced their lives. In the interview with Lawrence Fishburne, the actor discusses working with director Francis Ford Coppola and his observations on actor Clark Gable. 04 Quentin Tarantino Episode 428th July 2008 In each half-hour episode of this series, Mitchell invites special celebrity guests to sit down and talk about how classic film has influenced their lives. In the interview with Quentin Tarantino, the director discusses his interest in low-budget exploitation films and why he sometimes shows Howard Hawks' His Girl Friday to his actors. 05 Edward Norton Episode 57th November 2008 Actor Edward Norton compares directors Spike Lee and Sidney Lumet in this excerpt from TCM's Elvis Mitchell: Under the Influence, 06 Joan Allen Episode 614th November 2008 In each half-hour episode of this series, Mitchell invites special celebrity guests to sit down and talk about how classic film has influenced their lives. In the interview with Joan Allen, the actress discusses the adjustment she had to make going from theatre to film and her appreciation of genre films, citing Carrie with Sissy Spacek as one example. 07 John Leguizamo Episode 721st November 2008 John Leguizamo talks about Al Pacino and Robert DeNiro and his experience working with them on Righteous Kill, 2008. 08 Richard Gere Episode 821st November 2008 Host Elvis Mitchell sits down with actor Richard Gere. They talk about two primary influences to the way the Gere acts: music and gymnastics. Gere talks about blues music in particular, and the natural rhythms in that style which he uses in the rhythms of his performances. He believes that all actors have an inherent musicality within them upon which to frame a performance. He also discusses what he believes are movies that have that blues rhythm in its pacing and storytelling. He equates rhythm with physical space and framing in movie making, with an actor going in and out of that frame set for him. He concludes with talking about what drew him to certain actors from the golden age of movies. With the women, it was who he considered the great beauties. With the men, it was the ability to be within the moment without looking like they were acting.